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The polka dot curtain and the calendar hark from an earlier time.

FREDERICKSBURG, Va. – On the album cover of Karen Jonas' "The Rise and Fall of American Kitsch," released in August 2024, Karen is depicted holding a drink and a bottle of liquor, sporting a neutral expression and a few tattoos here and there. Throw in a 1960s floor-model television set, an ashtray, a religious statue, and an electric guitar, and it all screams "kitsch," from the day when it was hip to be kitsch.

Jonas and a photographer tossed around a couple of ideas before settling on the art for the cover. “We were thinking about it for a couple of months, it was fun,” she said.

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FREDERICKSBURG, Va. – At one time, the Fredericksburg Visitors’ Center at the corner of Charlotte and Caroline Streets and the little parking lot next door were an adequate place for visitors to park. Last year, the Visitor’s Center relocated to a larger space a block away. The parking lot is now under new ownership, and access to the lot has been restricted. However, not everyone received the notice, so parking enforcement rolls in, which some see as unwarranted.

“I have heard of people being towed,” said Simon Jones, who called the signs “very unclear.” He had a latte from “Anita’s CafĂ©â€ next door to the lot, and the owner, Anita Crossfield, agrees that the signage needs to be clearer. She’s seen cars being towed from the lot, especially on holidays. “It’s not clear,” she said, and an updated version of the sign needs to be included. The new owners should do that, Anita said.

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Dalton Okolo, filmmaker and co-organizer of the Fredericksburg Film Festival, reviews shots on his camera during the opening night reception. [Photo: Mike Salmon]
FREDERICKSBURG, Va. – The second annual Fredericksburg Film Festival kicked off last night with a reception at the Courtyard Marriott, where filmmakers, judges, and festival organizers gathered in an informal atmosphere to meet one another. The event was followed by a preview of a few of the entries in a conference room off to the side. Event organizer Dalton Okolo sported two high-powered cameras as he mingled with the crowd. “This is our second year, we have to figure ourselves out,” he said. The festival is supported by the Fredericksburg Office of Economic Development and Tourism, as well as several local businesses. At the opening reception, it was too early to predict the outcome, but Okolo was optimistic. “There are large amounts of enthusiasm online,” he said. Okolo is joined on the management side by Executive Producer & Experience Designer Wa’ad Adam, and producers Carlos Naranjo, Antonella Membreno, and John Heyn. Okolo is a director, writer, and producer based in Fredericksburg, known for his Virginia-based short films, including “She’s Mine Now” (2022) and “Missing You” (2021). He is with 1108 Media, where he encourages Virginia-based filmmakers, strengthening the local film community. After the reception, there was a “Shorts Block,” with films “Dirty Towel,” “How to Feel Fullfilled at Work,” and “Waiting for April,” a film by a couple of Alexandria filmmakers Timothy Parsons and Kyle Schick. In "Waiting for April," they crafted a story that focuses on the challenges of a first date later in life. April is a senior that didn’t date growing up, so now she’s elderly and navigates getting asked out on a date. Parsons has another film called "Memory Project," which will also be featured at this festival on Sunday. The following day, Thursday, films are scheduled at various venues around town. Each session begins with a workshop, and often, the filmmakers attend the showings as well and answer questions afterward. Some of the more interesting films include "Skategoat," where a young boy dreams of being a professional skateboarder while escaping the world of gangs in which he grew up in Venice Beach. Another is "500 Fireflies," which deals with a single father who relocates with his daughter, and then there's "Beacon," which features a shipwrecked survivor and a lighthouse keeper. There are several documentary films as well, including "Calamity and Mercy," about Ukrainian refugees, "Escape from Extinction: Rewilding," about rebuilding ecosystems, and "All Things Metal," which focuses on a family-run iron forge, heavy metal music and a shared disability. Local filmmaker Robert Kendzie has a film in the festival, "The Wychwood Cycle," that explores a fantasy character who lives in the woods. He had to travel to far western Maryland to film in the snow, but was surprised this year when Fredericksburg had several inches of snow, which came in handy in his film. Kendzie supports local filmmakers with various programs and filmed part of his film at Loriella Park in Spotsylvania County.

The Fredericksburg Film Festival runs through Sunday, with screenings and workshops taking place at various venues across the city. Each film block typically begins with a hands-on workshop, followed by a Q&A session with the filmmaker, offering audiences a deeper look into the creative process.

Highlights of this year’s lineup include:
  • Skategoat – A young boy dreams of becoming a professional skateboarder while escaping the grip of gang life in Venice Beach.

  • 500 Fireflies – A single father and his daughter relocate and rebuild their lives in a new town.

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The Good Steward Farm’s goat.

At Old Mill Park along the Rappahannock River, there are spots where the mowers can’t reach, and to send a landscape professional in there with a weed whacker could be dangerous, so Fredericksburg has sent in the goats.

They munch the weeds until the job is done, leave a bit of organic fertilizer, and then jump on the truck to the next job, clearing invasive species at the following location.

It’s a win-win for everybody.

The goats are from The Good Steward Farm, a place in Stafford County that raises goats for this purpose. This eco-friendly initiative aims to reduce the use of heavy equipment and chemicals in our city while managing vegetation.

Shawn Phillips owns Good Steward Farm with his wife in Stafford County. They have a couple of teams of goats that go out and eat the weeds and shrubbery that are getting out of control. Sometimes, they go to residential areas, too, said Phillips.

“We have a second team that we’re about to start using on private areas,” he said.

Goat waste breaks down more efficiently than cow or horse waste, so goats are ideal. Their farm in Stafford County is a five-acre farm, but Phillips also uses land on a friend’s farm to graze the goats. If the goats aren’t rotated regularly, they will worry about parasites on some land. The farm also specializes in goat milk.

According to “Goats on the Go,” another goat mowing specialty organization, goats go where people can’t, eat what most animals won’t, and leave behind nothing but fertilizer. Their selling points include:

  • Managed goats eat problem vegetation with little damage to desirable plants
  • Goats eliminate the need for poisonous herbicides and CO2-spewing machines
  • Light-footed goats work in rough terrain with little risk of erosion
  • Seeds are not typically viable after being eaten by goats
  • Valuable fertilizer is the only by-product

The goats are at Old Mill Park until the end of April. The city is looking to expand this practice. “We will evaluate the goats’ effectiveness at Old Mill Park before moving forward with any additional locations,” said City of Fredericksburg public information officer Caitlyn M. McGhee.

Fredericksburg’s goats came from a farm in Stafford County.
At Old Mill Park, the city put up signs to stop the possible panic from bypassers.
At the Good Steward Farm in Stafford, they specialize in grass mowing goats.
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This one is in the parking lot near the Firestone tire shop but most of the parking lots are privately owned so they are not VDOT’s or the City’s responsibility.

The cold temperatures in February took their toll on area roads, and now the drivers are playing dodgeball with the potholes. When dodging isn’t successful, there can be a flat tire, a bent rim, or even worse for area drivers.

Daniel Martinez writes up the repair tickets all day at Power Tire on LaFayette Boulevard in Fredericksburg.

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The original paint job will stay.

The paint job on an antique ambulance that roams the streets of Fredericksburg hints that a story behind this truck is waiting to be told. Was it part of the British Royal Air Force stationed in Lossiemouth, Scotland? Was it connected to Prince Harry?

Did it see time in the Falkland Islands war in the early 1980s?

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After graduating from MWU, Maggie Clegg moved across the U.S. before deciding that Fredericksburg is home.

Many newly graduated college alumni like the familiarity of the college town, so they stick around after they get the degree for one reason or another. It’s still known as ‘home,’ making escaping hard.

“I love this area,” said Katie Ambrosini, a senior at the University of Mary Washington who is graduating in a few weeks with an English degree and currently works at a nearby Starbucks. I want to try to get a full-time job if I can,” she said, putting her degree to work.

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Multiple agencies gathered at Walker-Grant Middle School in Fredericksburg for a semiannual exercise on Friday, March 7, but the doors were closed to keep plans from reaching the wrong eyes.

“It was a matter of security,” said Jack McGovern, the exercise director with the Fredericksburg Fire Department. “That was spelled out for media,” he added.

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Peter Mealy and his wife Laurie Rose Griffith play at Tapa Rio in Fredericksburg for Valentine's Day Eve.

In mid-February, Peter Mealy headed to the Walker Grant Middle School PTA meeting in Fredericksburg to speak about his latest venture teaching guitar to students after school at Walker Grant and hopefully enlarging the program in one form or another.

Mealy is a well-known musician around Fredericksburg, and if he can use the guitar in a positive fashion then so can students who learn it in middle or high school. “Then they have a skill for life,” he said, stressing that it’s not going to cost the school system a huge chunk of money for something that might deliver a huge chunk of benefits for the students. 

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Big Fat Daddy with Meri Schaefer, Brian Curtiss, and John David Coppola with the peace sign. [Photo: Mike Salmon]
To set the mood for Valentine's night, rockers of two local bands jammed the stage at Madigan's in Occoquan to hammer out tunes for all the lovebirds or the singles keeping their eyes peeled for their special someone. While we’re not sure if anyone found "the one," the music was a constant for everyone in the party mood.

This combination of musicians is called "Big Fat Doug Belford Experience," they rocked out a healthy list of covers for the appreciative crowd. The band was a combo of three members of a band called “Big Fat Daddy,” featuring Meri Schaefer, Brian Curtiss, John David Coppola on bass, and three others from Doug Belford Experience, which featured Doug Belford, Meri Schaefer, and Brian Curtiss. Meri Schaefer and Brian Curtiss play in both bands.

Sure, some of the songs are well-known covers from the heyday of rock and roll, but people dig those songs anyway. A beer or two feeds that love the staples in their rock list, including “Maneater” from Hall and Oates, “Psycho Killer” by the Talking Heads, and “Cinnamon Girl” by Neil Young. The tempo of the night stretched far and wide.

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